Date of publication: 2017-08-22 20:03
In the morning, Montag wakes up feeling ill and unsure of whether he can go to work. Millie responds with disbelief and annoyance rather than compassion, and Montag is in turn annoyed by her lack of interest in his concerns. Captain Beatty arrives to speak with Montag, somehow knowing that he feels ill and would be taking the evening off. He lectures Montag on how society has evolved into the current technological age, leaving little room for those who deviate from the structured, homogeneous conformity that has come to rule. Emphasizing structured routine rather than original thought, Beatty asserts that people are not born equal, but are made equal through laws and regulation. In the current system, people are less likely to offend each other, and thus everyone is better off.
This part of the novel is dominated by the final confrontation between Montag and Beatty. Beatty&rsquo s ironic self-awareness, his understanding that his choices have not made him truly happy, seems to grow throughout the novel, and it comes to the surface in his final scene, when his behavior seems deliberately calculated to result in his own death.
In the world of Fahrenheit 956 , everybody seems to be happy. Sort of. They watch TV all day, they’re never forced to face anything unpleasant, and they’re never truly bothered by anything. Sound like paradise? We hate to break it to you, but it's not.
The next morning, Millie robotically goes about her daily routine, not recalling the previous night s episode. When Montag attempts to discuss the issue, Millie reacts with dismissive disbelief, eager to return her attention to the diversions of the seashell radios constantly inserted in her ears and the people on the three-wall television, whom she calls her family.
Mildred&rsquo s betrayal of Montag is complete, and he realizes that she will soon forget him as she drives away, consoling herself with her Seashell radio. Montag does not feel particularly angry at her, however his feelings for her are only pity and regret.
Fahrenheit 956 literature essays are academic essays for citation. These papers were written primarily by students and provide critical analysis of Fahrenheit 956 by Ray Bradbury.
During the next week, Montag sees Clarisse everyday and finds himself looking forward to his conversations with the eccentric, curious girl. He is disappointed when Clarisse no longer appears on his walks to and from work. With whispers of a possible impending war on the radio and television, Montag becomes increasingly introspective about his job and the people whose books and homes he destroys.
Set in the 79th century, Fahrenheit 956 tells the story of the protagonist, Guy Montag. At first, Montag takes pleasure in his profession as a fireman, burning illegally owned books and the homes of their owners. However, Montag soon begins to question the value of his profession and, in turn, his life. Throughout the novel Montag struggles with his existence, eventually fleeing his oppressive, censored society and joining an underground network of intellectuals. With his newfound friends, Montag witnesses the atomic destruction if his former city and dedicates himself to rebuilding a literate and cultural society.
Additionally, there are allusions throughout The Hearth and the Salamander to the intruding eye of oppression that monitors the people who live in Montag s dystopia. When the technicians pump Millie s stomach, Montag notices the tool they use looks like a writhing, mechanical one-eyed snake. Captain Beatty personifies intrusive oppression, knowing Montag is ill and that he is keeping books without being told. The Mechanical Hound, with its ability to track down and destroy people by their scent, is yet another symbol of the totalitarian state s constant observation. Even Clarisse innocently reminds Montag that there s a man in the moon.
The Hearth and the Salamander introduces many symbols that retain importance throughout the novel. The symbol of the book , the most feared and reviled enemy of the state, is significant. Books represent knowledge and awareness, but are illegal. When found they are burned, as are the homes in which they were stored. Yet, Montag finds himself drawn to them, and wonders what drives book owners, such as the old woman, to burn herself among her sacred possessions rather than leave them behind. In the opening paragraph, Bradbury likens burning book pages to pigeon wings. This early allusion to birds and flight speaks to the ability of books to incite freedom.
As he and Millie lie in their respective twin beds, Montag finds himself unable to recall how and where they met. He asks Millie if she remembers, but she doesn t, and is not bothered by it. Montag is overcome with thoughts of his loveless, lifeless marriage and the modern technologies his wife spends her days immersed in. Montag questions her about Clarisse, who he has not seen in days, and Mildred says she had forgotten to tell him that Clarisse was struck by a car and killed four days earlier. Her family has since moved away. Montag is very upset to hear this news and can t believe Millie forgot to tell him. He falls asleep with his stolen book hidden under his pillow.
Granger tells Montag how the men in his camp have each memorized literary works so that someday, when it is safe to do so, they can again print books, recreating them from memory. When atomic bombs destroy the city, the men set out to sift through the rubble and begin anew. They plan to foster a society where books and free thought can flourish.